MASERU, Lesotho – Living overseas, I sometimes fall out of touch with the latest “buzz” within American culture. Like which Hollywood sleepers are garnering acclaim from the critics.
So it was that I was flying Frankfurt-to-New York in late December, on my way to spend the holidays with my family, when I found myself with hours to kill and a seemingly lame slate of movies.
I’d only settled in Africa one month earlier, and my mind was swirling with the new sensations of life in the remote backwater of Lesotho. Beyond the culture shock of living in Africa itself, in one of its poorest countries, surrounded by razor-wire-lined walls, was the startling realization we now had “a staff” inherited from my wife’s predecessor at her international-development organization.
The staff was drawn from the local Basotho tribe: a full-time housekeeper, a part-time cook, a part-time gardener-slash-Mr.-Fix-It and round-the-clock crew of security guards. As a humble freelance journalist and journalism teacher, I guiltily embraced this neo-colonialist existence. That is, until I learned how grateful our employees were just to have a job – and a decent-paying one at that.
On the flight, I wanted to unwind, watching mindless action or comedy. A flick called “The Help,” about some women in 1960s, Civil Rights-era Mississippi didn’t fit the bill. Yet for some reason, I tried it.
The parallels of blacks-serving-whites were immediate and unmistakable. With the film set to add several Oscars on Sunday to its haul of awards and accolades, U.S. audiences may view it as merely a work of historical fiction.
For us, though, this racial dynamic is the reality in 2012 for hundreds of expatriate families in Lesotho. Not to mention the countless white families in surrounding South Africa, where the specter of Apartheid surely hovers over that power relationship, just two decades later.